Century’s Pro Series offers professional lens accessories designed to help you go wider, reach further, and move in closer than the lens on your HVX200 allows. Most of Century’s accessories interface directly with the bayonet mount at the front of the lens so mounting and removing is quick and easy.
.6X WIDE ANGLE ADAPTER HVX200
.75X [...]
Panasonic announced today 16GB P2 card for the price tag of $900.00. P2 solid state memory card offers recording capacity comparable to and often greater than tape and disc-based media, but with no-moving-parts reliability.Panasonic’s P2 card is a PCMCIA compatible plug-in card based on ultra-reliable, solid-state memory, integrating four high-performance SD cards like those now [...]
Steve Mullen of Digital Content Producer has posted article explaining how to work with Sony HVR-V1U’s HDV workflow in Final Cut Pro and Avid Xpress Pro HD.
Check out this article from digital content producer
Matt Garrett and Bruce Allen recently conducted a series of Nikon lens tests with a SGPro 35mm adapter mounted to a Panasonic HVX-200 and tested the 17-35mm f/2.8, 35mm f/1.4, 85mm f/1.8, 105mm f/2.0, 135mm f/2.0, and 180mm f/2.8 Nikon lenses.
You can view the test results for yourself using either the 640×360 22MB small [...]
HD DVD 223 vs Blu-ray 254.
Blu-ray
Blood & Chocolate (Sony)
Cruel Intentions (Sony)
Daddy’s Little Girls (Lionsgate)
Ghost Rider (Sony)
Music and Lyrics (Warner)
Primeval (Buena Vista)
Seven Years in Tibet (Sony)
HD DVD
Black Christmas (2006) (Weinstein) [...]
Oceans 13 today released in Sathyam Cinemas located in Chennai, India on digital format RDX( Real Digital Experience) using QUBE server and 4k Barco Projector.
If you are in chennai, dont miss it!
Technicolor’s 4K Spider-Man DI Pipeline on the Sony Studio Lot
Putting Color-Grading Next Door to Sound Mixing and Other Post Services
By Debra Kaufman
When Technicolor Creative Services announced it would open a digital intermediate facility on the Sony lot, the idea was that the proximity of DI to sound mixing and other studio services would create [...]
from Film&Video
A Whole New Way to Look at Your Edit
The post-production gurus behind Next say it’s the first studio feature to be edited entirely in HD using Avid’s DNxHD codec — and they figure it represents the latest forward leap in post workflow. Avid’s codec delivers high-quality compressed HD images in the bandwidth of uncompressed [...]
Peter Jackson has given interview to NewZealand Magazine “ONFILM” regarding RED Digital Cinema Camera. The text version of the interview has been posted in reduser.net forum.
Importing P2 clips in Final Cut Pro 6 has been moved from import and named as Log and Transfer instead of Import->P2 xxxx in Final Cut Pro 5.
In one of my recent Corporate video project i got a chance to use Final Cut Pro 6. More post regarding FCP 6 follows soon.