Red Prime Lens Test by OffHollywood
Red Pro Prime lens test shoot from offhollywood on Vimeo.
Baselight Transfer (BLT)
RED ONE digital source needs to be managed near-set and in post-production to integrate into modern file-based workflows. REDCODE Raw source cannot be directly reviewed, needing to be converted and graded for offline dailies, and conformed and reconverted for online editing, grading and finishing.
Baselight Transfer (BLT) is a cost effective, billable digital telecine tool that [...]
ARRI D21 – The Film Style Digital Camera
The new ARRIFLEX D-21 combines leading edge digital technology with film camera features that have been refined over ARRI’s 90-year history. It allows directors and cinematographers to shoot in the same way as they would with 35 mm film, while taking advantage of the immediacy and economy of digital acquisition. Through ARRI Imaging Technology (AIT), [...]
Digital Camera Workflow and Laser Pacific
Digital Camera Workflow
Data Dailies
LaserPacific supports a variety of workflow options for projects shooting on RED or RAW. Whether you are looking for a tapeless workflow or integrating RED material into other projects, whether cutting on FCP, AVID, or any other offline system we have a path for you. LaserPacific’s dedication to your image and [...]
Red Exposure 101 by Jim Jannard
Exposure 101…
by Jannard
This topic has been covered before. Many of you know all this stuff. But there are new RED shooters everyday and some that are still struggling with exposure. Buried in this post is a question for the community. We’d love your opinion.
There is plenty of DR in a RED ONE to make great [...]