The below article has been taken from Arri Digital website.
The recent opening of Dubai?s brand new Metro system was marked with a screening of a nine-minute 3D film. Played to an audience at a specially erected theatre at the Mall of the Emirates shopping centre, the film provided an immersive experience of what it would [...]
ARRI unveils new digital cinema camera in this year IBC 2009. 3 Cameras shown as prototype in new ARRI CMOS censor technology named “ALEV III Sensor”. They planned to release mid 2010. Starting price of camera starts from 50000 Euro.
Check out this IBC video to know more about the upcoming digital cinema cameras from ARRI
01. What is so special about the D-21?
The most noticeable difference between the D-21 and any other digital or HD camera is the picture quality it produces. The D-21 is renowned for a cinematic look that comes very close to 35mm film in terms of sharpness, colorimetry, exposure latitude and depth of field. This is [...]
The new ARRIFLEX D-21 combines leading edge digital technology with film camera features that have been refined over ARRI’s 90-year history. It allows directors and cinematographers to shoot in the same way as they would with 35 mm film, while taking advantage of the immediacy and economy of digital acquisition. Through ARRI Imaging Technology (AIT), [...]
ARRI RAW support was opened up on NAB 2009 to enable users of Apple Final Cut Pro and Avid Media Composer to edit the files easily.
Apple Final Cut Pro support for native ARRI RAW format was supported using Glue Tools Tool Kit.
Avid Media Composer support for native ARRI RAW format was supported using Avid Meta [...]