Via Abel Cine,
ARRI’s ALEXA camera offers several recording options, including recording directly to SxS cards in Apple ProRes format. This is called the Direct-To-Edit (DTE) option, and it makes for a very simple workflow. ProRes has proven to be a high quality and robust video format that is widely used in the industry today. The ALEXA has [...]
NAB 2010 wrap-up. (Via Scott Simmons for Studio Daily blog)
Winners
Adobe – everywhere you went people were talking about CS5. It was partly because this is a big 64-bit update but partly because Adobe has packed the release with some jaw-dropping features that make a demo. Premiere’s Mercury Playback Engine, After Effect’s RotoBrush and Photoshop’s Content [...]
Via GIZMODO,
ARRI Alexa Camera: Digital Cinematic Bliss
I may never shoot on an ARRI Alexa camera—after all, it’ll cost around $60,000 this summer—but a man can dream, can’t he?
ARRI, makers of legendary film cameras, has finally unveiled the full specs of their upcoming digital camera, the Alexa. It’s an interesting camera—its Super 35 CMOS Bayer sensor (ARRI’s [...]
The below article has been taken from Arri Digital website.
The recent opening of Dubai?s brand new Metro system was marked with a screening of a nine-minute 3D film. Played to an audience at a specially erected theatre at the Mall of the Emirates shopping centre, the film provided an immersive experience of what it would [...]
ARRI unveils new digital cinema camera in this year IBC 2009. 3 Cameras shown as prototype in new ARRI CMOS censor technology named “ALEV III Sensor”. They planned to release mid 2010. Starting price of camera starts from 50000 Euro.
Check out this IBC video to know more about the upcoming digital cinema cameras from ARRI
01. What is so special about the D-21?
The most noticeable difference between the D-21 and any other digital or HD camera is the picture quality it produces. The D-21 is renowned for a cinematic look that comes very close to 35mm film in terms of sharpness, colorimetry, exposure latitude and depth of field. This is [...]
The new ARRIFLEX D-21 combines leading edge digital technology with film camera features that have been refined over ARRI’s 90-year history. It allows directors and cinematographers to shoot in the same way as they would with 35 mm film, while taking advantage of the immediacy and economy of digital acquisition. Through ARRI Imaging Technology (AIT), [...]