<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>IndiesHD &#187; Avid</title>
	<atom:link href="http://www.indieshd.com/category/avid/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.indieshd.com</link>
	<description>Digital Cinema Designer &#124; gbalaji@gmail.com &#124; Phone: +91 9840224733 &#124; Feature Films: Margazhi Raagam, Achachamundu Achchamundu, Thiru Thiru Thuru Thuru, Tamil Padam, Ethirmarai, Pookisham, 180, Spanish Masala, Vazhakku En 18/9, Thangameengal, Vallinam</description>
	<lastBuildDate>Mon, 23 Jan 2012 13:04:11 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
		<item>
		<title>Arri Alexa in-camera recording of Avid&#8217;s DNxHD MXF File Format</title>
		<link>http://www.indieshd.com/2011/11/08/arri-alexa-in-camera-recording-of-avids-dnxhd-mxf-file-format/</link>
		<comments>http://www.indieshd.com/2011/11/08/arri-alexa-in-camera-recording-of-avids-dnxhd-mxf-file-format/#comments</comments>
		<pubDate>Tue, 08 Nov 2011 11:55:55 +0000</pubDate>
		<dc:creator>gbalaji</dc:creator>
				<category><![CDATA[ARRI]]></category>
		<category><![CDATA[Avid]]></category>
		<category><![CDATA[Avid DNXHD]]></category>

		<guid isPermaLink="false">http://www.indieshd.com/?p=618</guid>
		<description><![CDATA[PRESS RELEASES ARRI ALEXA in-camera recording using AVID’s DNxHD MXF file format &#160; (7 November 2011, Munich) - ARRI announces a major new recording feature for its ALEXA camera range, offering in-camera support for Avid®’s open standard and widely adopted Avid DNxHD® codec. The ability to record native Avid DNxHD, as MXF files in-camera, creates a [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.indieshd.com/wp-content/uploads/2011/11/AVID+ALEXA.gif"><img class="alignleft size-full wp-image-621" title="AVID+ALEXA" src="http://www.indieshd.com/wp-content/uploads/2011/11/AVID+ALEXA.gif" alt="" width="489" height="252" /></a></p>
<div>
<h1></h1>
<h1></h1>
<h1></h1>
<h1></h1>
<h1></h1>
<h1></h1>
<h1></h1>
<h1></h1>
<h1></h1>
<h1></h1>
<h1></h1>
<h1></h1>
<h1></h1>
<h1></h1>
<h1></h1>
<h1></h1>
<h1></h1>
<h1></h1>
<h1></h1>
<h1></h1>
<h1>PRESS RELEASES</h1>
</div>
<div id="topnews">
<div>
<h2>ARRI ALEXA in-camera recording using AVID’s DNxHD MXF file format</h2>
</div>
</div>
<p>&nbsp;</p>
<div>
<p><strong>(7 November 2011, Munich) </strong>- ARRI announces a major new recording feature for its ALEXA camera range, offering in-camera support for Avid®’s open standard and widely adopted Avid DNxHD® codec.</p>
<p>The ability to record native Avid DNxHD, as MXF files in-camera, creates a unique proposition for the 35 mm digital capture industry and is another first for the ALEXA camera system. The combination of ARRI ALEXA quality and mission-critical reliability with Avid’s respected codec and editing technology delivers a powerful, uncomplicated workflow into the film and broadcast TV market, building on ALEXA’s position as the first choice digital camera for capture and postproduction.</p>
<p>As a benefit to cinematic productions, ALEXA cameras record ARRIRAW uncompressed 3K images that preserve the true 35 mm ‘digital negative’ for mastering and feature archival. Expanding ALEXA’s parallel recording capability to include native support for Avid DNxHD eliminates a transcoding step for the dailies generated by the Avid editing system and creates a more streamlined editorial workflow with seamless final conformance back to the archived ARRIRAW digital negative.</p>
<p>Neil Fanthom, ARRI’s head of digital camera strategy, comments, “The Avid editorial environment is an important cornerstone of the broadcast and motion picture postproduction industry, and ARRI is very pleased to be able to provide Avid DNxHD MFX file-based recording within the ALEXA camera for Avid-centric productions. This further confirms our commitment to add significant ongoing value to the ALEXA camera family, in this case by allowing customers to choose which workflow suits their own capture and postproduction requirements. No other camera in this industry fulfils such diverse workflow needs.”</p>
<p>Angus Mackay, pro video segment marketing manager at Avid, says, “The Avid Media Composer family of non-linear editing systems, featuring the high quality, low bandwidth SMPTE standard Avid DNxHD codec, are the industry’s first choice for professional editorial. By providing native Avid DNxHD recording with the ALEXA camera, ARRI is allowing producers to use high quality ALEXA cameras and quickly and easily view dailies, and begin editorial, without the need to transcode or re-wrap footage. Media Composer version 6 now offers the Avid DNxHD444 codec, which will permit customers to preserve the high color information in ALEXA footage while still having a low bit rate codec suitable for editorial. This is great news for ARRI and Avid customers, who will benefit from the advantages in quality, speed and streamlined workflows.”</p>
<p>The Avid DNxHD recording function for ALEXA will be distributed as a cost-effective, downloadable software upgrade during January 2012 and is now entering Beta phase testing with selected broadcast productions. Avid DNxHD codec data rates of up to 145Mbit/s (bit depth 8 bit) and 220MBit/s (bit depth 10 bit) will be supported in the initial release. Avid’s highest quality version of the codec, Avid DNxHD 444, will record at 440Mbit/s at 10 bit depth and will be provided as an upgrade for all adopting customers later on during the first quarter of 2012.</p>
<p>&#8212;-</p>
<p><strong>About ARRI:</strong></p>
<p>With headquarters located in Munich, Germany, Arnold and Richter Cine Technik (A&amp;R) was founded in 1917 and is the world&#8217;s largest manufacturer and distributor of motion picture camera, digital intermediate (DI) and lighting equipment. The ARRI Group comprises a global network of subsidiaries, agents and representatives that covers all aspects of the film industry: design, engineering, production, equipment rental, turnkey lighting solutions, postproduction, film and sound laboratory services, and visual effects. Manufactured products include the groundbreaking ALEXA digital camera system, film cameras, professional camera accessories, cutting-edge LED lighting and DI solutions such as the ARRISCAN and archive tools. The Academy of Motion Picture Arts and Sciences has recognized ARRI technologies and continual innovation with 16 Scientific and Engineering Awards.</p>
<p>&nbsp;</p>
<p><strong>About Avid: </strong></p>
<p>Avid creates the digital audio and video technology used to make the most listened to, most watched and most loved media in the world – from the most prestigious and award-winning feature films, music recordings, television shows, live concert tours and news broadcasts, to music and movies made at home. Some of Avid’s most influential and pioneering solutions include Media Composer, Pro Tools, Interplay®, ISIS®, VENUE, Sibelius®, System 5, and Avid Studio. For more information about Avid solutions and services, visit www.avid.com, del.icio.us, Flickr, Twitter and YouTube; connect with Avid on Facebook; or subscribe to Avid Industry Buzz.</p>
<p>Avid, Avid DNxHD, Avid Studio, Interplay, ISIS, Media Composer, Pro Tools and Sibelius are trademarks or registered trademarks of Avid Technology, Inc. or its subsidiaries in the United States and/or other countries. The Interplay name is used with the permission of the Interplay Entertainment Corp. which bears no responsibility for Avid products.</p>
<p>&nbsp;</p>
<p>For locations and more information please visit <a title="arri.com externallink" href="http://www.avid.com/" target="_blank">http://www.avid.com</a></p>
</div>
]]></content:encoded>
			<wfw:commentRss>http://www.indieshd.com/2011/11/08/arri-alexa-in-camera-recording-of-avids-dnxhd-mxf-file-format/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Avid Media Composer 6 features and workflows</title>
		<link>http://www.indieshd.com/2011/11/05/avid-media-composer-6-features-and-workflows/</link>
		<comments>http://www.indieshd.com/2011/11/05/avid-media-composer-6-features-and-workflows/#comments</comments>
		<pubDate>Sat, 05 Nov 2011 09:11:03 +0000</pubDate>
		<dc:creator>gbalaji</dc:creator>
				<category><![CDATA[Avid]]></category>

		<guid isPermaLink="false">http://www.indieshd.com/?p=613</guid>
		<description><![CDATA[Avid Media Composer 6 New features and workflows: Full 64-bit power Fast gets even faster with native 64-bit operation, so even when you layer together the most complex effects, things will still feel snappy. Experience smoother playback, faster rendering performance, and better handling with large bins—and say goodbye to the old memory limitations of the [...]]]></description>
			<content:encoded><![CDATA[<h2>Avid Media Composer 6 New features and workflows:</h2>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl02_ctl00_offers_ctl00_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_64BitPower.png" alt="Full 64-bit power" /></p>
<div>
<h3>Full 64-bit power</h3>
<p>Fast gets even faster with native 64-bit operation, so even when you layer together the most complex effects, things will still feel snappy. Experience smoother playback, faster rendering performance, and better handling with large bins—and say goodbye to the old memory limitations of the 32-bit operating systems. (Still need 32-bit? <a href="http://www.avid.com/products/media-composer-5">Learn more about Media Composer 5.5</a>)</p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl02_ctl00_offers_ctl01_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_BetterPerformance.png" alt="Better performance—and 3D—with Avid hardware" /></p>
<div>
<h3>Better performance—and 3D—with Avid hardware</h3>
<p>For the fastest capture/edit/monitor/output workflows, pair Media Composer with a Nitris DX or Mojo DX video interface and experience hardware-accelerated power that’s second to none. You can now even customize Nitris DX with up to two Avid DNxHD or AVC-Intra chips to fully support stereoscopic 3D and HD RGB 4:4:4 workflows.</p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl02_ctl00_offers_ctl02_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_OpenForBusiness.png" alt="Open for business" /></p>
<div>
<h3>Open for business</h3>
<p>Media Composer is now fully open thanks to Avid Open I/O, so you can work with your choice of Avid audio and video interfaces or third-party video interfaces, including those from AJA, Blackmagic Design, Bluefish444, Matrox, and MOTU. Manufacturers can simply create plug-ins using Avid Open I/O to have their hardware work with Media Composer, meaning you’ll have even more choices to come. <a title="Media Composer Hardware Options" href="http://www.avid.com/products/Media-Composer/Hardware-Options">See all supported hardware.</a></p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl02_ctl00_offers_ctl03_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_MC6SleekNewLook.png" alt="Sleek new look and Avid Marketplace" /></p>
<div>
<h3>Sleek new look and Avid Marketplace</h3>
<p>Modern, smart, and sexy. Media Composer has a whole new look, but its familiar editing workflow stays the same (<a href="http://www.avid.com/avid-tv/MC6-Marketplace/shadowbox">watch the video</a>). Work faster through the tabbed interface (no more window clutter!). Customize window configurations with Workspaces. Browse the Avid Marketplace for stock footage, video and audio plug-ins, software and hardware options, training materials, and more—right from within the app. You can even access user guides and other documentation without having to scour our website.</p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl02_ctl00_offers_ctl04_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_MC6WorkWith3D.png" alt="Work with 3D" /></p>
<div>
<h3>Work with 3D</h3>
<p>Edit stereoscopic 3D material as quickly and easily as you do with standard 2D footage, with a full set of new features and workflows. Capture, edit, and manage the complete 3D end-to-end workflow. Mix and match 2D and stereoscopic 3D clips on the same track. Plus, work with full frame and frame-compatible sources, full-fledged editing tools, video effects, and more.</p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl02_ctl00_offers_ctl05_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_ArtistColor.png" alt="Go hands-on with Artist Color" /></p>
<div>
<h3>Go hands-on with Artist Color</h3>
<p>Accelerate your color correcting and grading with Artist Color (<a href="http://www.avid.com/avid-tv/MC6-ArtistColor/shadowbox">watch the video</a>). With its highly responsive feel, you can keep your eyes on the picture instead of the interface while you make adjustments. And since you can tweak multiple parameters at once, you dramatically gain more speed and efficiency to complete time-consuming tasks quickly.</p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl02_ctl00_offers_ctl06_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_MC6SurroundMixer.png" alt="Mix in surround sound" /></p>
<div>
<h3>Mix in surround sound</h3>
<p>You want your audio to sound as spectacular as your video looks. Now you can record, edit, and mix studio-quality audio in up to 7.1 surround—right in Media Composer. Not only that, you can share mixes with Pro Tools editors (using AAF), and even record and monitor audio using a host of <a title="Media Composer Hardware Options" href="http://www.avid.com/products/Media-Composer/Hardware-Options">Avid audio interfaces.</a> (<a href="http://www.avid.com/avid-tv/MC6-SurroundSound/shadowbox">watch the video</a>)</p>
</div>
</div>
<p><a name="edit"></a></p>
<h2>Edit faster and easier than ever</h2>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl04_ctl00_offers_ctl00_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_MC6OpenToAnything.png" alt="Open to anything" /></p>
<div>
<h3>Open to anything</h3>
<p>You never know what kinds of media, projects, and people will arrive at your desk or doorstep. That’s why Media Composer offers an open workflow, so you can take on whatever challenge awaits. Work with practically any media format, including tape and film. Capture and monitor with your choice of <a href="http://www.avid.com/products/Media-Composer/Hardware-Options">Avid and third-party interfaces</a>. Accelerate editing with<a href="http://www.avid.com/products/family/ArtistSeriesControlSurfaces">Artist Series control surfaces</a>. Integrate into any professional production pipeline. Sync projects with Pro Tools editors using <a href="http://www.avid.com/products/video-satellite">Video Satellite</a>. And take your offline online to <a href="http://www.avid.com/products/Symphony">Symphony</a> or <a href="http://www.avid.com/products/dssoftware">Avid DS</a>—without redoing work.</p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl04_ctl00_offers_ctl01_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_AMA.png" alt="Experience the &quot;waitless&quot; workflow" /></p>
<div>
<h3>Experience the “waitless” workflow</h3>
<p>With <a href="http://www.avid.com/avid-tv/AMAv2/shadowbox">AMA (Avid Media Access)</a>, you can instantly access and edit file-based media—including new RED/RED EPIC, new AVCHD, ProRes, QuickTime (including footage from HDSLR cameras), XDCAM, P2, Canon XF, and other formats—without transcoding, importing, or rewrapping files (<a href="http://www.avid.com/avid-tv/AMAv2/shadowbox">watch the video</a>). Get a jumpstart on reviewing footage without the wait, and avoid bringing in unwanted material. And as new cameras and formats emerge, manufacturers can create and release their own AMA plug-ins independently from a Media Composer release.</p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl04_ctl00_offers_ctl02_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_OpenWorkflow.png" alt="Work with any media" /></p>
<div>
<h3>Work with any media</h3>
<p>File-based media, analog and digital tape, <a href="http://www.avid.com/industries/workflow/Stereoscopic-3D">stereoscopic 3D material</a>, film — bring it on. Media Composer offers a wide range of features, workflows, and options that enable you to work with everything, from old-school media to the latest camera technologies. Experience the fastest tapeless workflows in the industry. Capture footage directly from digital cameras. Or add an <a href="http://www.avid.com/products/Media-Composer/Hardware-Options">Avid or third-party video interface</a> to capture from other analog or digital sources. Plus, with support for 4:4:4 HD-RGB color and DNxHD 444, you can work efficiently while preserving the full-quality color detail from beginning to end.</p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl04_ctl00_offers_ctl03_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_MC6SmartTools.png" alt="Take storytelling to the cutting edge" /></p>
<div>
<h3>Take storytelling to the cutting edge</h3>
<p>It doesn’t matter how you learned to edit—Media Composer goes where others leave off, enabling you to work faster and in ways you’re most comfortable. In fact, its tools are ACE-certified. Trim clips and manipulate transitions on the fly using the Smart Tool (<a href="http://www.avid.com/avid-tv/MC5SmartToolEditing/shadowbox">see the Smart Tool in action</a>), or perform ultra-precise edits using traditional tools. Mix and match media formats, frame rates, resolutions, and more in the same timeline—in real time—without rendering (<a href="http://www.avid.com/avid-tv/MediaComposerCuttingEdgeMixandMatch/shadowbox">see Mix and Match in action</a>). And edit HD material in real time—in mastering picture quality—using <a href="http://www.avid.com/industries/workflow/DNxHD-Codec">Avid DNxHD</a> or DNxHD 444.</p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl04_ctl00_offers_ctl04_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_DesignedforCollaboration.png" alt="Collaborate with ease" /></p>
<div>
<h3>Collaborate with ease</h3>
<p>Share media, projects, and bins—locally and across the world—to complete projects on time and on budget. With <a href="http://www.avid.com/products/family/ISIS-Unity">Avid ISIS</a>, you and your team can access the same assets and capture media to the same volume simultaneously. Access files—even when in use by others—without copying media. Collaborate across mixed editing platforms, including Final Cut Pro through AMA, which supports ProRes encoding (Mac only) and decoding. Share audio mixes with Pro Tools editors—and vice-versa—using AAF. And bring collaboration to the highest level with <a href="http://www.avid.com/products/family/Interplay">Avid Interplay</a>.</p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl04_ctl00_offers_ctl05_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_PhraseFind.png" alt="Find the right clips and best takes fast" /></p>
<div>
<h3>Find the right clips and best takes fast</h3>
<p>Working on a scripted or dialog-heavy project such as a reality TV show, documentary, or interview? Save hours of wasted search time using two dialog search options for Media Composer. For script-based projects, the<a href="http://www.avid.com/products/scriptsync">ScriptSync powered by Nexidia</a> option phonetically indexes all clip dialog in your project and then syncs all relevant clips to your script—automatically—so you can find the best takes fast. The <a href="http://www.avid.com/products/phrasefind">PhraseFind powered by Nexidia</a> option offers the same phonetic audio indexing, but enables you to quickly pull up all relevant clips by searching on a key word or phrase.</p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl04_ctl00_offers_ctl06_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_MC6ReliableMediaManagment.png" alt="Gain peace of mind with reliable media management" /></p>
<div>
<h3>Gain peace of mind with reliable media management</h3>
<p>Whether you work alone or as part of a team, you won’t have to worry about losing your assets. Media Composer provides you with 20+ years of industry-proven media management innovation, which keeps track of all your projects, assets, source material, rendered files, metadata, and more, so you don’t have to. Not only that, you can customize it to track your assets the way you want.</p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl04_ctl00_offers_ctl07_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_ShopAvidMarketplace.png" alt="Shop the Avid Marketplace" /></p>
<div>
<h3>Shop the Avid Marketplace</h3>
<p>Conveniently browse for stock footage, video and audio plug-ins, hardware, and more, right from within Media Composer—no shoes, shirt, or pants required. Search for and preview stock footage from Thought Equity Motion, download comps for editing, and make purchases once editorial is complete. Shop for video and audio plug-ins to get the look and sound you’re after. Discover software options that’ll greatly speed up your workflow. Shop for audio interfaces and other hardware. You’ll even find training and other media that’ll help perfect your skills. (<a href="http://www.avid.com/avid-tv/MC6-Marketplace/shadowbox">watch the video</a>)</p>
</div>
</div>
<p><a name="look"></a></p>
<h2>Get the look, sound, and quality you want</h2>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl06_ctl00_offers_ctl00_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_DesignDazzleProdSuite.png" alt="Design and dazzle with visual effects" /></p>
<div>
<h3>Design and dazzle with visual effects</h3>
<p>Give your projects that professional polish using the bundled and built-in design and effects tools. Create eye-catching 2D and 3D composites, titles, animation, and effects with Avid FX (aka Boris RED), a powerful collection of creative tools designed by Boris FX. Add visual impact, drama, and depth with a host of built-in 2D and 3D effects, title tools, transitions, key and motion effects, and more. Add focus and fix issues with motion tracking and stabilization tools. And expand your visual palette with <a href="http://www.avid.com/resources/media-composer-plugins">our third-party partners&#8217; effects</a>, many of which can be purchased within Media Composer from the Avid Marketplace.</p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl06_ctl00_offers_ctl01_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_WorkCollaborateOtherApps.png" alt="Create studio-quality soundtracks" /></p>
<div>
<h3>Create studio-quality soundtracks</h3>
<p>Make your projects sound as good as they look using the built-in audio recording, editing, and mixing tools (<a href="http://www.avid.com/avid-tv/MC5toPT9/shadowbox">see the audio tools in action</a>). Record and monitor voiceovers, overdubs, and more using select <a href="http://www.avid.com/products/Media-Composer/Hardware-Options">Avid audio interfaces</a>. Edit and mix multitrack audio in up to 7.1 surround. Share mixes with Pro Tools editors. Polish sounds with 20 included AIR effects—the same ones that come with Pro Tools. And expand your sound with the industry’s best compressors, reverbs, and other <a href="http://www.avid.com/categories/Audio-Plug-ins/RTAS-AudioSuite">sound processing plug-ins</a>, many of which can be purchased within Media Composer from the Avid Marketplace.</p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl06_ctl00_offers_ctl02_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_MC6ColorCorrection.png" alt="Color correct and grade with precision" /></p>
<div>
<h3>Color correct and grade with precision</h3>
<p>Save time and maintain the highest quality production with the fully integrated 10-bit color correction toolset. Quickly and accurately match colors from shot to shot using NaturalMatch. Gain better color precision with support for full-quality 4:4:4 HD-RGB color space processing. Get fine control over shots with animatable color correction. Speed up your color work with <a href="http://www.avid.com/products/Artist-Color">Artist Color</a> (<a href="http://www.avid.com/avid-tv/MC6-ArtistColor/shadowbox">watch the video</a>). And dive into the large palette of easy-to-use tools to refine settings or get creative.</p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl06_ctl00_offers_ctl03_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_SorensonSqueeze.png" alt="Design and deliver" /></p>
<div>
<h3>Design and deliver</h3>
<p>With Avid DVD and Sorenson Squeeze included, you can author DVDs and optimize media for the highest-quality playback—online or on disc. Author professional DVDs and Blu-ray Discs using Avid DVD, which works with Windows-based systems (including emulation software on Macs). With Sorenson Squeeze, you can optimize content in a variety of formats (including HD, DVD, MPEG-2, MPEG-4/H.264, Flash, and 3GPP), author DVDs and Blu-ray Discs (on Windows), and burn discs on a PC or Mac.</p>
</div>
</div>
<p><a name="need_support"></a></p>
<h2>Get the support you need</h2>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl08_ctl00_offers_ctl00_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_MC6GetStartedFast.png" alt="Get started fast" /></p>
<div>
<h3>Get started fast</h3>
<p>To help you get up and running quickly, we offer a huge collection of video tutorials, workflow guides, webinars, and more on our website. We also have a <a href="http://community.avid.com/forums/299.aspx">Getting Started Fast forum</a> dedicated to new Media Composer users, where you’ll find friendly Avid and community experts who provide helpful information and answers—you can even post your own questions for advice. Or advance your career with <a href="http://www.avid.com/support/training">Avid Training</a>, which offers a variety of courses taught by certified experts.</p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl08_ctl00_offers_ctl01_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_WorldclassCommunity.png" alt="Join the community for support and more" /></p>
<div>
<h3>Join the community for support and more</h3>
<p>Need advice or answers from your peers and experts? Join the Avid community, made up of hundreds of professional editors and Avid representatives around the world. Search for answers, ask questions, or help others in our <a href="http://community.avid.com/forums/">forums</a>. Get some great <a href="http://community.avid.com/forums/TipsAndTutorials.aspx">tips and tutorials</a> from other users in the community. And check out what other Media Composer users are doing or thinking about in our <a href="http://community.avid.com/blogs/">Blogs section</a>.</p>
</div>
</div>
<div>
<h2></h2>
<p><img id="ctl00_genericCenterWell_ctl08_ctl00_offers_ctl02_AvidImage1" src="http://www.avid.com/Static/resources/common/images/products/cw_195x105_AvidVantage.png" alt="We’re here to help" /></p>
<div>
<h3>Avid is here to help</h3>
<p>If you need personal assistance, help is just a click, email, or phone call away. We offer a variety of support options, from the affordable <a href="http://www.avid.com/support/plans/avid-vantage">Avid Vantage</a>—which provides unlimited online support, five NewBlueFX plug-ins for a year, and a great return on your $149 (USD) investment (which can be applied towards a new purchase of Media Composer or an upgrade)—to <a href="http://www.avid.com/support/plans">Avid Priority and Avid Uptime Support plans</a> for more critical needs.</p>
</div>
</div>
]]></content:encoded>
			<wfw:commentRss>http://www.indieshd.com/2011/11/05/avid-media-composer-6-features-and-workflows/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Stereoscopic 3D editing in Avid MediaComposer 4.0.2</title>
		<link>http://www.indieshd.com/2009/10/15/stereoscopic-3d-editing-in-avid-mediacomposer-402/</link>
		<comments>http://www.indieshd.com/2009/10/15/stereoscopic-3d-editing-in-avid-mediacomposer-402/#comments</comments>
		<pubDate>Thu, 15 Oct 2009 10:42:27 +0000</pubDate>
		<dc:creator>gbalaji</dc:creator>
				<category><![CDATA[Avid]]></category>

		<guid isPermaLink="false">http://www.indieshd.com/2009/10/15/stereoscopic-3d-editing-in-avid-mediacomposer-402/</guid>
		<description><![CDATA[in V3.5, Media Composer support left and right eyes sources as an over/under file. This means that the left eye is 1920 x 540 and is on the top part of the frame, and the right eye is also 1920 x 540 and is the bottom part of the frame. So the single 1920 x [...]]]></description>
			<content:encoded><![CDATA[<p>in V3.5, Media Composer support left and right eyes sources as an over/under file. This means that the left eye is 1920 x 540 and is on the top part of the frame, and the right eye is also 1920 x 540 and is the bottom part of the frame. So the single 1920 x 1080 contains both eyes. Avid MetaFuze can create this format from a series of left and right sources. MetaFuze is a free download available from www.avid.com/metafuze</p>
<p>Once in Avid, there are settings to allow the source/record monitor to show left or right eye only, and while in Full screen mode, there is a setting to output &#8220;cherkerboard&#8221; over the DVI. With a compatible monitor that supports this mode, you can view the footage as stereo 3D. These monitors are available from Mitsubishi and Samsung and use active shutter glasses. These monitors are rear screen DLP &#8211; get the 1080p version with 120Hz. I use a DVI to HDMI cable from my graphics card.</p>
<p>Michael</p>
<p>Check the user forum link here - http://community.avid.com/forums/p/70208/392558.aspx#392558</p>
]]></content:encoded>
			<wfw:commentRss>http://www.indieshd.com/2009/10/15/stereoscopic-3d-editing-in-avid-mediacomposer-402/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Avid delivers Industry first Stereoscopic 3D capabilities today</title>
		<link>http://www.indieshd.com/2009/03/04/avid-delivers-industry-first-stereoscopic-3d-capabilities-today/</link>
		<comments>http://www.indieshd.com/2009/03/04/avid-delivers-industry-first-stereoscopic-3d-capabilities-today/#comments</comments>
		<pubDate>Wed, 04 Mar 2009 12:03:06 +0000</pubDate>
		<dc:creator>gbalaji</dc:creator>
				<category><![CDATA[Avid]]></category>

		<guid isPermaLink="false">http://www.indieshd.com/2009/03/04/avid-delivers-industry-first-stereoscopic-3d-capabilities-today/</guid>
		<description><![CDATA[Today Avid announced new Avid Media Composer 3.5 software by freeing up the dongle and software activation by internet by which you can purchase Avid Software only through internet directly from Avid store. With new Media Composer 3.5, you can work on Stereoscopic 3D contents from your timeline. From Avid Press Release: What’s New in Avid [...]]]></description>
			<content:encoded><![CDATA[<p>Today Avid announced new Avid Media Composer 3.5 software by freeing up the dongle and software activation by internet by which you can purchase Avid Software only through internet directly from Avid store. With new Media Composer 3.5, you can work on Stereoscopic 3D contents from your timeline. From Avid Press Release:<span style="color: #424337; font-family: Arial; font-size: 14px; line-height: 14px" class="Apple-style-span"><br />
<h2 style="clear: both; margin-top: 0px; margin-right: 0px; margin-left: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; font-weight: bold; font-size: 1.2em; line-height: 16px; margin-bottom: 8px; border-width: 0px; padding: 0px">What’s New in Avid Media Composer and Symphony Software?</h2>
<ul style="border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 100%; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; list-style-type: disc; list-style-image: url('http://www.avid.com/images/interface/list-style.png'); list-style-position: initial; border-width: 0px; padding: 0px" type="disc">
<li style="margin-top: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; line-height: 16px; font-size: 0.9em; margin-left: 30px; margin-right: 30px; margin-bottom: 9px; border-width: 0px; padding: 0px">Native XDCAM support: Offers complete end-to-end native support for the popular Sony XDCAM HD formats, at all bandwidths.  Customers may now playback and edit directly from the disc, render, mixdown, export sequences and clips with eight audio tracks, and writeback with sequence timecode.</li>
</ul>
<ul style="border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 100%; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; list-style-type: disc; list-style-image: url('http://www.avid.com/images/interface/list-style.png'); list-style-position: initial; border-width: 0px; padding: 0px" type="disc">
<li style="margin-top: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; line-height: 16px; font-size: 0.9em; margin-left: 30px; margin-right: 30px; margin-bottom: 9px; border-width: 0px; padding: 0px">Stereoscopic 3D editing: Delivers full support of stereoscopic workflows, which enables customers to acquire, edit and display stereoscopic (3D) material. Content can be displayed with stereo monitoring capabilities in both the composer window and full screen playback &#8211; eliminating the need for costly conforms previously required to screen 3D material.</li>
</ul>
<ul style="border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 100%; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; list-style-type: disc; list-style-image: url('http://www.avid.com/images/interface/list-style.png'); list-style-position: initial; border-width: 0px; padding: 0px" type="disc">
<li style="margin-top: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; line-height: 16px; font-size: 0.9em; margin-left: 30px; margin-right: 30px; margin-bottom: 9px; border-width: 0px; padding: 0px">AMA, or Avid Media Access Architecture: Customers can automatically link clips from a third-party volume (Panasonic P2 or Sony XDCAM HD/EX) devices into an Avid editing bin, without having to transcode or store the media on their system.</li>
</ul>
<ul style="border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 100%; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; list-style-type: disc; list-style-image: url('http://www.avid.com/images/interface/list-style.png'); list-style-position: initial; border-width: 0px; padding: 0px" type="disc">
<li style="margin-top: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; line-height: 16px; font-size: 0.9em; margin-left: 30px; margin-right: 30px; margin-bottom: 9px; border-width: 0px; padding: 0px">Elimination of Dongle with new Software Activation and Licensing: Eliminates the need for a dongle key to activate new purchases and upgrades of Avid software.  All new software sales and single seat upgrades will be licensed by a system activation key. </li>
</ul>
<ul style="border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 100%; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; list-style-type: disc; list-style-image: url('http://www.avid.com/images/interface/list-style.png'); list-style-position: initial; border-width: 0px; padding: 0px" type="disc">
<li style="margin-top: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; line-height: 16px; font-size: 0.9em; margin-left: 30px; margin-right: 30px; margin-bottom: 9px; border-width: 0px; padding: 0px">Keyframeable Color Correction: Provides customers with the ability to make most color adjustments using advanced keyframes in the offline editorial process – saving time and money associated with online color correction costs when using the Avid Total Conform.</li>
</ul>
<ul style="border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 100%; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; list-style-type: disc; list-style-image: url('http://www.avid.com/images/interface/list-style.png'); list-style-position: initial; border-width: 0px; padding: 0px" type="disc">
<li style="margin-top: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; line-height: 16px; font-size: 0.9em; margin-left: 30px; margin-right: 30px; margin-bottom: 9px; border-width: 0px; padding: 0px">Fluid Stabilizer: Equips customers with a new 2D tracking engine designed to track and remove camera motion, when used in combination with the Avid SteadyGlide™ feature.  </li>
</ul>
<ul style="border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 100%; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; list-style-type: disc; list-style-image: url('http://www.avid.com/images/interface/list-style.png'); list-style-position: initial; border-width: 0px; padding: 0px" type="disc">
<li style="margin-top: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; line-height: 16px; font-size: 0.9em; margin-left: 30px; margin-right: 30px; margin-bottom: 9px; border-width: 0px; padding: 0px">General FX enhancements: Offers improvements such as the ability to copy Keyframes at position as well as enhanced 3D Warp, Quality and CPU/GPU performance to quickly render and process FX.</li>
</ul>
<ul style="border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 100%; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; list-style-type: disc; list-style-image: url('http://www.avid.com/images/interface/list-style.png'); list-style-position: initial; border-width: 0px; padding: 0px" type="disc">
<li style="margin-top: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; line-height: 16px; font-size: 0.9em; margin-left: 30px; margin-right: 30px; margin-bottom: 9px; border-width: 0px; padding: 0px">Improved Pro Tools integration: Integrates Media Composer 3.5 with Pro Tools 8 through the Video Satellite feature, which allows control of a Media Composer system from Pro Tools for full resolution, synchronized video playback for audio.  Now, customers can install both Media Composer and Pro Tools software on the same system. </li>
</ul>
<ul style="border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 100%; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; margin-top: 15px; margin-right: 0px; margin-bottom: 15px; margin-left: 0px; list-style-type: disc; list-style-image: url('http://www.avid.com/images/interface/list-style.png'); list-style-position: initial; border-width: 0px; padding: 0px" type="disc">
<li style="margin-top: 0px; border-style: initial; border-color: initial; outline-width: 0px; outline-style: initial; outline-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; line-height: 16px; font-size: 0.9em; margin-left: 30px; margin-right: 30px; margin-bottom: 9px; border-width: 0px; padding: 0px">Enhanced Audio Capabilities: Delivers a wide range of new audio capabilities that provide customers with more control over audio clips and sequences.</li>
</ul>
<p></span> </p>
]]></content:encoded>
			<wfw:commentRss>http://www.indieshd.com/2009/03/04/avid-delivers-industry-first-stereoscopic-3d-capabilities-today/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Red One &#8211; Avid &#8211; Film Master / DS Nitris Workflow</title>
		<link>http://www.indieshd.com/2009/01/09/red-one-avid-film-master-ds-nitris-workflow/</link>
		<comments>http://www.indieshd.com/2009/01/09/red-one-avid-film-master-ds-nitris-workflow/#comments</comments>
		<pubDate>Fri, 09 Jan 2009 17:17:32 +0000</pubDate>
		<dc:creator>gbalaji</dc:creator>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[RED]]></category>

		<guid isPermaLink="false">http://www.indieshd.com/2009/01/09/red-one-avid-film-master-ds-nitris-workflow/</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><span style="color: #0000ee; text-decoration: underline" class="Apple-style-span"><a href="http://www.indieshd.com/wp-content/uploads/2009/01/avideworkflowfm.jpg" title="avideworkflowfm.jpg"><img src="http://www.indieshd.com/wp-content/uploads/2009/01/avideworkflowfm.jpg" alt="avideworkflowfm.jpg" /></a></span></p>
]]></content:encoded>
			<wfw:commentRss>http://www.indieshd.com/2009/01/09/red-one-avid-film-master-ds-nitris-workflow/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>RedOne shoot to Avid offline to Smoke finish in 3days</title>
		<link>http://www.indieshd.com/2008/08/20/redone-shoot-to-avid-offline-to-smoke-finish-in-3days/</link>
		<comments>http://www.indieshd.com/2008/08/20/redone-shoot-to-avid-offline-to-smoke-finish-in-3days/#comments</comments>
		<pubDate>Wed, 20 Aug 2008 07:36:41 +0000</pubDate>
		<dc:creator>gbalaji</dc:creator>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[Digital Cinema]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[RED]]></category>

		<guid isPermaLink="false">http://www.indieshd.com/2008/08/20/redone-shoot-to-avid-offline-to-smoke-finish-in-3days/</guid>
		<description><![CDATA[Last week worked on Television Commercial &#8220;Chennai Marathon 2008&#8243; from shoot to finish in 3 days. Offline was done in Avid. Given below the Avid workflow. ]]></description>
			<content:encoded><![CDATA[<p>Last week worked on Television Commercial &#8220;Chennai Marathon 2008&#8243; from shoot to finish in 3 days. Offline was done in Avid. Given below the Avid workflow.<a href="http://www.indieshd.com/wp-content/uploads/2008/08/redoneavidfinish.jpg" title="RedOne Avid Smoke finish"><img src="http://www.indieshd.com/wp-content/uploads/2008/08/redoneavidfinish.jpg" alt="RedOne Avid Smoke finish" /></a> </p>
]]></content:encoded>
			<wfw:commentRss>http://www.indieshd.com/2008/08/20/redone-shoot-to-avid-offline-to-smoke-finish-in-3days/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>[NAB2008] AVID Media Composer Mojo DX &amp; Nitris DX</title>
		<link>http://www.indieshd.com/2008/04/15/nab2008-avid-media-composer-mojo-dx-nitris-dx/</link>
		<comments>http://www.indieshd.com/2008/04/15/nab2008-avid-media-composer-mojo-dx-nitris-dx/#comments</comments>
		<pubDate>Wed, 16 Apr 2008 03:19:19 +0000</pubDate>
		<dc:creator>gbalaji</dc:creator>
				<category><![CDATA[Avid]]></category>

		<guid isPermaLink="false">http://www.indieshd.com/2008/04/15/nab2008-avid-media-composer-mojo-dx-nitris-dx/</guid>
		<description><![CDATA[    Avid announced new product line of Media Composer, AVID DS Nitris DX  and Mojo DX in NAB2008. Avid Media Composer Software V3.0 available June 2008 for a price of $2500 only. Avid Media Composer Mojo DX is hardware software combination of Media composer product link which contains Media Composer Software, Avid Mojo DX [...]]]></description>
			<content:encoded><![CDATA[<p style="font: normal normal normal 12px/normal Helvetica; margin: 0px"><span style="font-family: Georgia; font-size: 19px; line-height: 24px" class="Apple-style-span"><a href="http://www.indieshd.com/wp-content/uploads/2008/04/media_composer_mojodx.gif" title="Avid Media Composer Mojo DX"><img src="http://www.indieshd.com/wp-content/uploads/2008/04/media_composer_mojodx.gif" alt="Avid Media Composer Mojo DX" /></a></span> </p>
<p style="font: normal normal normal 12px/normal Helvetica; margin: 0px"> </p>
<p style="font: normal normal normal 12px/normal Helvetica; margin: 0px">Avid announced new product line of Media Composer, AVID DS Nitris DX  and Mojo DX in NAB2008. Avid Media Composer Software V3.0 available June 2008 for a price of $2500 only. Avid Media Composer Mojo DX is hardware software combination of Media composer product link which contains Media Composer Software, Avid Mojo DX a combination and PCIe Host interface Board &amp; USB Application Key(Dongle) supports SD/HD-SDI I/O, HDMI Output, Reference Sync Black&amp;Burst and HD TriLevel Input (combined connector), 8 Channels SD-SDI embedded digital audio I/O, 8 Channels HD-SDI embedded digital audio input, 16 Channels HD-SDI embedded digital audio Output, 2 channels optical S/PDIF digital audio I/O, 2 Channels XLR analog audio output, World clock output.</p>
<p style="font: normal normal normal 12px/normal Helvetica; margin: 0px"> </p>
<p style="font: normal normal normal 12px/normal Helvetica; margin: 0px">Includes software Avid Media Composer, Media Log, Log Exchange, Film Scribe, EDL Manager, MetaSync Manager, MetaFuze (windows only) and Avid Interplay Transfer (standalone version). Bundles Third-party software like AVID DVD by Sonic for Blu-Ray authoring and DVD authoring (windows only), Boris Continuum AVX Video filters and transitions, Sorenson Squeeze and Smart Sound SoincFire Pro.Avid Media Composer Mojo DX priced at $10,000.Both Media Composer &amp; Media Composer Mojo DX supports Apple Leopard OS X 10.5 and WIndows Vista Business SP1. Also announced Avid Media Composer with Nitris DX for high end production.  </p>
<p style="font: normal normal normal 12px/normal Helvetica; margin: 0px"> </p>
<p style="font: normal normal normal 12px/normal Helvetica; margin: 0px">Price:</p>
<p style="font: normal normal normal 12px/normal Helvetica; margin: 0px"> </p>
<p style="font: normal normal normal 12px/normal Helvetica; margin: 0px">Avid Media Composer Software only &#8211; $2,495 USMSRP</p>
<p style="font: normal normal normal 12px/normal Helvetica; margin: 0px">Avid Media Composer Mojo DX &#8211; $9,995 USMSRP</p>
<p style="font: normal normal normal 12px/normal Helvetica; margin: 0px">Avid Media Composer Nitris DX &#8211; $21,995 USMSRP</p>
<p style="font: normal normal normal 12px/normal Helvetica; margin: 0px">Symphony Nitris DX &#8211; $35,995 USMSRP including 8 core MacPro or 8 core HP XW8600 workstation.</p>
<p style="font: normal normal normal 12px/normal Helvetica; margin: 0px">News Cutter Software - $4,995 USMSRP </p>
<p style="font: normal normal normal 12px/normal Helvetica; margin: 0px">News Cutter Mojo DX - $19,995 USMSRP including 8 core HP XW8600 workstation.</p>
<p style="font: normal normal normal 12px/normal Helvetica; margin: 0px">News Cutter Nitris DX - $24,995 USMSRP including 8 core HP XW8600 workstation.</p>
<p style="font: normal normal normal 12px/normal Helvetica; margin: 0px"> </p>
<p style="font: normal normal normal 12px/normal Helvetica; margin: 0px"> </p>
]]></content:encoded>
			<wfw:commentRss>http://www.indieshd.com/2008/04/15/nab2008-avid-media-composer-mojo-dx-nitris-dx/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>RED Post Production workflow &#8211; AVID</title>
		<link>http://www.indieshd.com/2008/04/14/red-post-production-workflow-avid/</link>
		<comments>http://www.indieshd.com/2008/04/14/red-post-production-workflow-avid/#comments</comments>
		<pubDate>Mon, 14 Apr 2008 10:10:57 +0000</pubDate>
		<dc:creator>gbalaji</dc:creator>
				<category><![CDATA[Avid]]></category>
		<category><![CDATA[RED]]></category>

		<guid isPermaLink="false">http://www.indieshd.com/2008/04/14/red-post-production-workflow-avid/</guid>
		<description><![CDATA[Via Studio Monthly   Step 1: Understand the RED File Format  You need to know what the naming schema is for the native.r3d files created by the RED ONE camera. Here’s how to read the metadata:  Step 2 Create an ALE File (More Metadata Mapping)  Further metadata mapping depends on how your source metadata file is created. [...]]]></description>
			<content:encoded><![CDATA[<p>Via <a href="http://www.studiodaily.com/main/training/9261.html">Studio Monthly</a>  <br />
<h3>Step 1: Understand the RED File Format</h3>
<p> You need to know what the naming schema is for the native.r3d files created by the RED ONE camera. Here’s how to read the metadata:<a href="http://www.indieshd.com/wp-content/uploads/2008/04/9261_12071457391.jpg" title="RED Camera filename metadata"><img src="http://www.indieshd.com/wp-content/uploads/2008/04/9261_12071457391.jpg" alt="RED Camera filename metadata" /></a> <br />
<h3>Step 2 Create an ALE File (More Metadata Mapping)</h3>
<p> Further metadata mapping depends on how your source metadata file is created. In this tutorial, the source metadata file is an Avid Log Exchange (Avid ALE), which will be created with MetaCheater and then imported into your Avid. As in all QuickTime source-based workflows, an ALE file must be imported beforehand. The sources are then &#8220;merged&#8221; during import. For a complete description of Avid’s extensive metadata management, download the Avid Metadata and Logging and Tracking whitepaper from Avid’s site (<a href="http://www.avid.com/resources/whitepapers">www.avid.com/resources/whitepapers</a>).<a href="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207001059.jpg" title="Logging and Tracking Metadata"><img src="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207001059.jpg" alt="Logging and Tracking Metadata" /></a> <br />
<h3>Step 3 Download Metacheater</h3>
<p> MetaCheater is a free application created by Jabez Olssen (donations appreciated) to allow Metadata extraction from QuickTime movies (reel ID and timecode). MetaCheater reads the filename, reel ID and timecode from a QT file and saves out an ALE file, in this example, as exported by RED ALERT! (QT reference). Go here to download the latest version: <a href="http://www.staticpictures.com/metacheater" target="_blank"><span class="yshortcuts" id="lw_1208167730_0">www.staticpictures.com/metacheater</span></a>. <br />
<h3>Step 4 Map More Data in Metacheater</h3>
<p> The following section defines the Avid bin columns and how they track the metadata derived from the.r3d files. Your settings let you control different levels of filename to tape ID to create unique tape names that are more specific. For example: A001_C001_071206
<ul>
<li>TAPE</li>
<li>A001 (default)</li>
<li>A001_C001</li>
<li>A001_C001_07126</li>
</ul>
<ul>
<li>SHOOT DATE: 071206</li>
<li>NAME</li>
<li>A001_C001_011206_001</li>
<li>A001_C001_011206_001_M</li>
</ul>
<p>RED ALERT! adds the quality suffix and refers to the quality of the debayering process.
<ul>
<li>_H (High. Uses the 2K extraction)</li>
<li>_M (Medium. Uses the 1K extraction)</li>
<li>_P (Proxy)</li>
</ul>
<ul>
<li>FILENAME</li>
<li>A001_C001_07126 is added to Filename as a separate metadata field, which means you can change the clip name to something more relevant.</li>
</ul>
<ul>
<li>DPX</li>
<li>A001_C001_07126-000000</li>
<li>The filename is appended with -000000 to track DPX export, if used.</li>
</ul>
<ul>
<li>xx:xx:xx:xx (timecode) = Start</li>
<li>Read from file</li>
</ul>
<h3>Step 5 Create QuickTimes with Red Alert!</h3>
<p> RED ALERT! currently exports QuickTime references in three resolution from the original file: High (2K), Medium (1K) or Proxy (_H, _M, and _P). Your transcode times will obviously differ if you use _H or _M. Based on experience, _M is roughly 20% faster. Both are more than satisfactory for offline editing. Don’t use _P.As a point of reference, here are the approximate times it took to import on a <span class="yshortcuts" id="lw_1208167730_1">MacBook Pro</span> directly in <span class="yshortcuts" id="lw_1208167730_2">Avid Media Composer</span> as Avid DNxHD 36:
<ul>
<li>6 &#8211; 8x longer than real time for the _H file (2K)</li>
<li>4 &#8211; 5x longer than real time for the _M file (1K)</li>
</ul>
<p>f processing files for use on a different system, you can create DNxHD via QT MoviePlayer Pro and select your desired Avid DNxHD codec from the codec options.<a href="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207002078.jpg" title="Red Alert"><img src="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207002078.jpg" alt="Red Alert" /></a><a href="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207002045.jpg" title="R3D files"><img src="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207002045.jpg" alt="R3D files" /></a> <br />
<h3>Step 6 Create Your Settings for ALE with MetaCheater</h3>
<p> Opening the QuickTime files will automatically populate the data fields in the window. In the upper right section, select the amount of metadata you want to use for the Tape name. The default is what is reported in the QuickTime file. Go to &#8220;Settings&#8221; and select the settings for the Avid project type: 1080, then frame rate as shot (23.976, 24, 25). Go back to the main page and save as ALE file (see images 6A and 6B). Your resulting ALE file, as saved from MetaCheater, will look like the file below.<a href="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207003000.jpg" title="Metacheater1"><img src="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207003000.jpg" alt="Metacheater1" /></a><a href="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207003026.jpg" title="Metacheater2"><img src="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207003026.jpg" alt="Metacheater2" /></a><a href="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207003044.jpg" title="Metacheater3"><img src="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207003044.jpg" alt="Metacheater3" /></a> <br />
<h3>Step 7 Batch Import Your Metadata into the Avid</h3>
<p> In order to facilitate the merge process, you should have all clips form an ALE point to the same directory. Do this by first dragging all the QuickTimes into a single folder. Next, you’ll create an ALE file of all the QuickTimes in that folder using MetaCheater. Import the ALE file into the Avid and select all the clips. Then, choose Batch Import  from the Clip menu and navigate to a folder with QT files. Select the desired Avid resolution (DNxHD 36, DNxHD 115, DNxHD 175, DNxHD 175x (10 bit). Import! Once imported, your original RED files will have the necessary metadata attached for editorial and export to your EDL . Take a look inside Media Composer’s EDL Manager  to see your files.<a href="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207003123.jpg" title="Avid Media Composer Batchimport"><img src="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207003123.jpg" alt="Avid Media Composer Batchimport" /></a><a href="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207057079.jpg" title="Batchimport Avid select all files"><img src="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207057079.jpg" alt="Batchimport Avid select all files" /></a><a href="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207057092.jpg" title="Timecode"><img src="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207057092.jpg" alt="Timecode" /></a><a href="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207057224.jpg" title="AVID EDL Manager"><img src="http://www.indieshd.com/wp-content/uploads/2008/04/9261_1207057224.jpg" alt="AVID EDL Manager" /></a> <br />
<h3>Step 8 You’re Ready to Edit</h3>
<p> You can use this method to merge metadata from any QuickTime or sequential file format during the import process. In this example, the ALE was created using MetaCheater to read Reel ID and timecode from the QuickTime references created by RED ALERT! and saved out as an Avid ALE file. After importing the ALE file into <span class="yshortcuts" id="lw_1208167730_3">Avid Media Composer</span>, it’s easy to merge with the QuickTime references of the.r3d files during the batch import process. Once you’re done editing, you can generate an EDL and return to the original files as needed.<strong>Tools Used: Avid Media Composer, MetaCheater and RED ALERT!</strong>by
<ul>
<li> 
<ol> <span class="yshortcuts" id="lw_1208167730_4">Michael Phillips</span></ol>
<ol>Solutions Manager, Content Production</ol>
<ol><span class="yshortcuts" id="lw_1208167730_5">Avid Technology, Inc</span>.</ol>
</li>
</ul>
<p>Michael Phillips joined Avid Technology, Inc., in 1990 and was responsible for the design of Avid’s Media Composer, Film Composer and Symphony product lines, which offer professional digital online and offline editing and finishing. Michael currently interacts with customers as a solutions manager for the content creator.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.indieshd.com/2008/04/14/red-post-production-workflow-avid/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Avid Media Composer price slashed half &amp; Avid Xpress Pro discontinued</title>
		<link>http://www.indieshd.com/2008/03/21/avid-media-composer-price-slashed-half-avid-xpress-pro-discontinued/</link>
		<comments>http://www.indieshd.com/2008/03/21/avid-media-composer-price-slashed-half-avid-xpress-pro-discontinued/#comments</comments>
		<pubDate>Fri, 21 Mar 2008 07:19:50 +0000</pubDate>
		<dc:creator>gbalaji</dc:creator>
				<category><![CDATA[Avid]]></category>

		<guid isPermaLink="false">http://www.indieshd.com/2008/03/21/avid-media-composer-price-slashed-half-avid-xpress-pro-discontinued/</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.indieshd.com/wp-content/uploads/2008/03/mcinproout.jpg" title="mcinproout.jpg"><img src="http://www.indieshd.com/wp-content/uploads/2008/03/mcinproout.jpg" alt="mcinproout.jpg" /></a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.indieshd.com/2008/03/21/avid-media-composer-price-slashed-half-avid-xpress-pro-discontinued/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>RED Post-production workflow</title>
		<link>http://www.indieshd.com/2008/02/05/red-post-production-workflow-for-fcp-premiere-and-avid/</link>
		<comments>http://www.indieshd.com/2008/02/05/red-post-production-workflow-for-fcp-premiere-and-avid/#comments</comments>
		<pubDate>Tue, 05 Feb 2008 14:59:37 +0000</pubDate>
		<dc:creator>gbalaji</dc:creator>
				<category><![CDATA[adobe]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Avid]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[RED]]></category>

		<guid isPermaLink="false">http://www.indieshd.com/2008/02/05/red-post-production-workflow-for-fcp-premiere-and-avid/</guid>
		<description><![CDATA[RED Digital Camera is on all buzz for almost two years from its first appearance on NAB 2006 to till date. I receive number of calls for availability of RED rental for filmmakers in India. I found some friends in RED User group, Who commit me the availability of RED for Rental in India . [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.indieshd.com/wp-content/uploads/2008/02/red_fcp_adobe_avid.gif" align="right" alt="RED_fcp_avid_adobe" />RED Digital Camera is on all buzz for almost two years from its first appearance on NAB 2006 to till date. I receive number of calls for availability of RED rental for filmmakers in India. I found some friends in RED User group, Who commit me the availability of RED for Rental in India . Anyone wants to shoot on RED till the first camera to arrive in India can contact me. Meantime in coming weeks will post RED post-production workflow for softwares Apple Final Cut Pro, Avid Xpress Pro / Media Composer and Adobe Premiere Pro CS3 / After Effects CS3.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.indieshd.com/2008/02/05/red-post-production-workflow-for-fcp-premiere-and-avid/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
	</channel>
</rss>

