RED ONE digital source needs to be managed near-set and in post-production to integrate into modern file-based workflows. REDCODE Raw source cannot be directly reviewed, needing to be converted and graded for offline dailies, and conformed and reconverted for online editing, grading and finishing.
Baselight Transfer (BLT) is a cost effective, billable digital telecine tool that [...]
Digital Camera Workflow
Data Dailies
LaserPacific supports a variety of workflow options for projects shooting on RED or RAW. Whether you are looking for a tapeless workflow or integrating RED material into other projects, whether cutting on FCP, AVID, or any other offline system we have a path for you. LaserPacific’s dedication to your image and [...]
Exposure 101…
by Jannard
This topic has been covered before. Many of you know all this stuff. But there are new RED shooters everyday and some that are still struggling with exposure. Buried in this post is a question for the community. We’d love your opinion.
There is plenty of DR in a RED ONE to make great [...]
RED announced on NAB 2009 user party on their official user forum reduser.net that they will be releasing another cool product called Red Rocket.
Red Rocket:
R3D Decode, debayer and playback high quality REALTIME 4k at 30fps (or 5K at 25fps).
Will accelerate FCP, Premiere, After Effects, RED Alert!, REDCINE, REDrushes or any application using the REDCODE SDK.
PCI-Express, [...]
Autodesk is to formerly announce today on NAB 2009 their much long waited Red One Digital Cinema Cameras Red RAW R3D support.
Red Pro Prime lenses are ready for NAB 2009 and the above is snapshot taken from Reduser forum.
Kamal Hassan’s “Unnaipol Oruvan” shot on Red One Digital Cinema Camera shooting is in progress in Hyderabad, Ramoji Rao Film City. You can watch the film teaser below. More information about the project will be coming soon…