Reports from Studio Daily.”At CineGear a group of esteemed pros joined a panel discussion to talk about the 4K workflow on a couple of short films using the DALSA Origin Camera and their experiences all the way through editing and color correction, as well as the future of 4K.

DALSA and the Digital Cinema Society sponsored the panel discussion, which featured James Mathers, president and co-founder of the Digital Cinema Society, cinematographer David Stump, ASC; DALSA’s Rob Hummel; Sony’s Andrew Stucker; Denis Leconte of Pacific Title, as well as directors Anurag Mehta (The Trident) and Joe DiGennaro (No).

Panelists spoke of the 4K production on the short films The Trident and No, speaking about everything from the latitude of the 4K image from the DALSA Origin, to capturing the data with the Codex Digital recorder, editing on Final Cut Pro to the joys color correcting 4K images. Sony’s Andrew Stucker also speaks about the future of digital cinema display and possibilities of 4K in a theater near you.”

Panel discussion videos are available in Studio Daily site here

 Notes:

The interesting part of the discussion is the “The Trident” was shot on 4k in Dalsa camera and recorded with sound on Hard Drives and on the fly proxy images were created  on External HDD for editing and the team used on the set for rought cut, Apple’s Final Cut Pro. Come on Apple, we need the DI in “Color ” at 4k [Is Apple listening?].