Digital Camera Workflow

Data Dailies

LaserPacific supports a variety of workflow options for projects shooting on RED or RAW. Whether you are looking for a tapeless workflow or integrating RED material into other projects, whether cutting on FCP, AVID, or any other offline system we have a path for you. LaserPacific’s dedication to your image and our experience in Television and Feature Films allows us to manage your data file’s color space and texture for your target viewing environment and LaserPacific’s award winning aIM services can be used with for production screenings.

Workflow

LaserPacific understands the importance of dailies. Timely delivery of high quality images is paramount. Color correction, synch of dual system audio, accurate FLX and ALE information, and the ability to create a variety of deliverables are not aspects of post-production that go away when working with data acquisition. LaserPacific Data Dailies performs all these services in a manner consistent with film production workflow that takes these issues off the hands of the production. As our of our clients once told us, “I love you guys at LaserPacific – You stay up late so you we don’t have to.” Editorial materials can be provided for any offline system in any codec required. After dailies are complete we also provide backup to LTO tape and/or storage in our MPAA reviewed secure data facility. For feature films returning for completion of their DI we offer an easy way to use offline EDL’s to trace back to the original R3d’s or RAW’s. LaserPacific Data Dailies provides ease of mind and quality assurance without sacrificing turn around.

Image Management

LaserPacific’s approach to handling data is primarily informed by a respect for your images. Our processes are optimized for the color space you will finish in and can be adjusted as needed for shows that want greater latitude in finishing or want a more polished look in dailies or both! For feature films we utilize aIM to ensure a consistency of image from dailies through to print film and digital cinema without jumping from color space to color space.

We’ll help you See Red
LaserPacific will help you see Red in a whole new light. The Red One camera has certainly gotten the industry’s attention and at the same time, the various options available in post production finishing for Red, can sometimes sound confusing. Want the straight talk on Red? LaserPacific has it. Whether you are doing a feature, television show, music video or commercial, LaserPacific can walk you through a digital post workflow that really flows.

For more information on Digital Camera Workflows, contact:

Rob Smith, VP Emerging Digital Technology and Workflows 323-462-6266 x 2203 rsmith@laserpacific.com